Untitled (it’s going to seem like it never happened)
Letterpress on Hahnemühle copperplate warm white
12.75x.5.75 in
2021
project: But of course it’s hard to tell
Untitled (the only person right here in this place and no one else)
Letterpress on Hahnemühle copperplate warm white
6 x 8 in
2021
project: But of course it’s hard to tell
Untitled (is this too much to understand)
Letterpress on Hahnemühle copperplate warm white
5.75 x 11.5 in
2021
project: But of course it’s hard to tell
Untitled (try to make sense of it)
Letterpress on Hahnemühle copperplate warm white
8.75 x 7.5 in
2021
project: But of course it’s hard to tell
a ways away (collaborative with Serrah Russell)
Photographic collage and letterpress on matteboard
9.33 x 7.25 in
2021
project: But of course it’s hard to tell
Untitled (if I forget I want to tell you now)
we look for before (collaborative with Serrah Russell)
Photographic collage and letterpress on Arches cover white mailed 183 miles
12.5 x 10 in
2021
project: But of course it’s hard to tell
Untitled (as certain as anything)
Letterpress on Hahnemühle copperplate warm white
11.5 x 6 in
2021
project: But of course it’s hard to tell
But of course it's hard to tell
Install view at Well Well Projects, 2021
photo: Mario Gallucci
Untitled (the one standing here in such a place)
Letterpress on Hahnemühle copperplate warm white
10 x 5.75 in
2021
project: But of course it’s hard to tell
this time that time (collaborative with Serrah Russell)
Photographic collage and letterpress on Arches cover white
9.5 x 14.25 in
2021
project: But of course it’s hard to tell
tether (collaborative with Serrah Russell)
Photographic collage and letterpress
14 x 11 in
2021
project: But of course it’s hard to tell
Untitled (could be very much the same)
Letterpress on graphite transfer paper mailed 183 miles with wildflower seeds
8 x 10 in
2021
project: But of course it’s hard to tell
Untitled (saying the same thing)
Letterpress and graphite transfer paper on Arches cover white mailed 183 miles
7 x 10.5 in
2021
project: But of course it’s hard to tell
Untitled (it wasn’t how I want to be)
Blind emboss letterpress on Fabriano rosaspina mailed 183 miles
5 x 7.75 in
2021
project: But of course it’s hard to tell
Untitled (might be / different by / then anyway)
Blind emboss letterpress on Arches cover white mailed 183 miles
5 x 7 in
2021
project: But of course it’s hard to tell
Untitled (but what if you could go back)
Letterpress and graphite transfer paper on Hahnemühle copperplate warm white mailed with transfer paper 183 miles
5.5 x 8.25 in
2021
project: But of course it’s hard to tell
Untitled (only after / it all came back)
Letterpress, graphite transfer paper, and Arches cover white mailed 183 miles with 3D print relics
11.25 x 8 in
2021
project: But of course it’s hard to tell
any way might be different (collaborative with Serrah Russell)
Photographic collage and letterpress
17 x 14 in
2021
project: But of course it’s hard to tell
standing in the only here (collaborative with Serrah Russell)
Photographic collage and letterpress
17 x 14 in
2021
project: But of course it’s hard to tell
to be (collaborative with Serrah Russell)
Photographic collage and letterpress
17 x 14 in
2021
project: But of course it’s hard to tell
But of course it's hard to tell
Install view at Well Well Projects, 2021
photo: Mario Gallucci
Untitled (we sincerely regret it is also an actuality when this)
Letterpress on Hahnemühle copperplate warm white
11.7 x 5.75 in
2021
photo: Mario Gallucci
project: But of course it’s hard to tell
Letterpress, graphite transfer paper, and Arches cover white mailed 800 miles
5x8.5 and 5.75x8.5 in
2021
photo: Mario Gallucci
project: But of course it’s hard to tell